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Neil
Shicoff

Neil Shicoff has appeared at all of the world's leading opera houses
including the Metropolitan Opera, Vienna State Opera, La Scala, Paris Opera, Royal Opera
House - London, Berlin's Deutsche Oper, Bavarian State Opera, Lyric Opera of Chicago, San
Francisco Opera, and many others. Known for his intensely passionate portrayals, he has
appeared in notable productions by Franco Zeffirelli, Jean-Pierre Ponnelle, Elijah
Moshinsky, Götz Friedrich, Robert Carsen, Andrei Serban, Pier Luigi Pizzi, Werner
Schröter, Lina Wertmüller, and Harold Prince among others.
Mr. Shicoff was born in 1949 in Brooklyn, New York. He studied at
the Juilliard School of Music and with his father, the celebrated cantor Sidney Shicoff. His
debut as a principal was in 1975 at the Cincinnati May Festival; James Levine called him in to
replace Richard Tucker as Verdi's Ernani after Tucker's untimely death. In the same year, he
won the George London Foundation Competition.
Having impressed Levine at Cincinnati, Shicoff was invited to
audition for the Metropolitan Opera in the same year, and he made his debut there in 1976 as
Rinuccio in Gianni Schicchi. [At 27, his Met debut coincidentally came at exactly the same age
as those of both Plácido Domingo and Jussi.] A critic reviewing that debut praised the tenor's
"amazing confidence and focused energy.” Shicoff was then engaged by the house to sing the
tenor leads in Rigoletto, La Bohème, Der Rosenkavalier, and Werther, which was to become one of
his signature roles.
Werther provided the vehicle for Shicoff's 1976 debut with the
Houston Opera, and he repeated the role subsequently in Zürich, Vienna, and Aix-en-Provence,
and at the Met. His European debut - his first Maurizio in Adriana Lecouvreur in Munich in
1976, was soon followed by Don Carlo in Amsterdam in the 1976-77 season. In 1978, he made his
Royal Opera House/Covent Garden debut as Pinkerton in Madama Butterfly, returning to the house
later that year as Rodolfo in La Bohème and Macduff in Macbeth, which he also sang for the BBC
(subsequent Covent Garden appearances include the Duke in Rigoletto in 1988). His Vienna debut
followed in 1978 (Rigoletto), beginning a long and warm association between him and the Wiener
Staatsoper audience; he would sing frequently in Vienna over the subsequent years, most often
in Carmen, Tosca, Onegin, Grimes, and Lucia.
Shicoff’s close bond with his Viennese audience was officially
acknowledged when he was awarded the honorary title of Kammersänger by the Wiener Staatsoper's
Ioan Holender in 1998. He sang his first Éléazar there, in Halévy's rarely-performed La Juive
on 23 October 1999, a performance which met with overwhelming critical and audience
acclaim.
In 1979 he made his Chicago debut as Rodolfo (La Bohème). Also
noteworthy that year was his Werther in Aix-en-Provence, for television, with Teresa Berganza
as Charlotte, a performance that still resonates powerfully and fondly in his memory, as well
as in those of his audience and critics.
He gave the first performance in 1980 of what would soon vie with
Werther as his most important signature role: Offenbach's Hoffmann. This he sang to great
critical and audience acclaim in Florence (the five-act Oeser edition) under the baton of
Jürgen Flimm. Since then, he has sung the role many times, most notably in Florence, Hamburg,
London, Barcelona, Paris-Bastille (notably in 1992), and New York. More debuts followed: San
Francisco in 1981 as Edgardo (Lucia di Lammermoor), and Paris in 1981-82 as Roméo (Roméo et
Juliette), where he also sang Hoffmann. Also notable: Maurizio in Adriana Lecouvreur at the Met
in 1986.
1986 saw his first performance, at La Scala, in his third
signature role: Lensky in Eugene Onegin. Shicoff's voice, at first essentially lyrical, has
developed and darkened, allowing him to take on heavier roles, including Rodolfo in Luisa
Miller (which he sang in Amsterdam in 1991) and Don José in Carmen, a role he debuted in
Seattle in 1987, and sang again in Paris's new Bercy Hall in 1989, and also in Macerata,
Madrid, and Nîmes, among other houses.
That same year, he sang his first French Don Carlos at the Paris
Opéra. He made his Barcelona debut in 1990 as Hoffmann, and his first appearance in Stuttgart
in the same year, as Cavaradossi.
Another important debut came in 1995 with his first Manrico in Il
Trovatore in Zürich in 1995. More significant was his first Peter Grimes in Vienna in 1996 -
his first role in a modern opera, and a major triumph for him.
Shicoff also has sung in concert with several major orchestras,
including the Boston, San Francisco, and Cincinnati Symphony Orchestras, and the Israel and
Berlin Philharmonic Orchestras. He is also a regular performer at festivals, including
Macerata, Caracalla, Arena di Verona, Orange, Münchener Opernfestspiele, Berliner Festwochen,
Wiener Festwochen, and Salzburger Osterfestspiele. He sang the tenor solo in Verdi's Requiem at
the Salzburg Easter Festival with the Berlin Philharmonic under Claudio Abbado.
Shicoff's operatic repertoire is dominated by most of the great
Romantic French and Italian lyric and spinto tenor roles: Gounod's Faust and Roméo, Massenet's
Des Grieux (Manon) and Werther, Don José (Carmen), Hoffmann (Les Contes d'Hoffmann), Éléazar
(La Juive), Maurizio (Adriana Lecouvreur), Nemorino (L'Elisir d'Amore), Edgardo (Lucia di
Lammermoor), Rinuccio (Gianni Schicchi), Rodolfo (La Bohème), Pinkerton (Madama Butterfly),
Cavaradossi (Tosca), Luigi (Il Tabarro), Don Carlo, Alfredo (La Traviata), Macduff (Macbeth),
il Duca di Mantova (Rigoletto), Ernani, Riccardo/Gustavo III (Un Ballo in Maschera), Manrico
(Il Trovatore), Foresto (Attila), Alfred (Die Fledermaus), the Italian Singer (Der
Rosenkavalier), Lensky (Eugene Onegin), and Peter Grimes.
Mr. Shicoff’s recordings include complete performances of Carmen,
La Juive, Lucia, Hoffmann, Bohème, Tabarro, Onegin (for both Phillips and Deutsche Grammophon),
Aroldo, Macbeth, Rigoletto, and Traviata.
He is a popular guest on opera-interview broadcasts where he
generously shares his long experience as a leading tenor on operatic stages around the
world.
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